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“Outlander,” whose heroes are already handling so much, isn’t that story. Geillis is a Disney villain in search of a story that needs her to hoard sapphires, wander around parties looking sinister and hiss about prophecies to anyone within earshot. In this week’s episode, she confounds young Ian and Claire in quick succession, growling about sapphires and Scottish kings as they both stare at her blankly.
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There was something hilarious in last week’s episode about watching Geillis try to crack the Case of the Prophecy Sapphires while everyone around her got so caught up in longing glances that they barely registered her interest in everyone’s jewelry. But this story line ends up being more fun than it deserves because the actress Lotte Verbeek does her level best to provide a Geillis you love to hate. In terms of the wider story, Geillis’s abrupt return - and even more abrupt departure - is narratively unsatisfying. Geillis is also at the center of the series’s nebulous time-travel concerns, although this episode is designed to ask questions about the phenomenon rather than answer any. Geillis has the unenviable task of trying to pull together a far-flung season by linking Claire’s life in Boston to the life she came back to. She’s an artificial peril imposed on a season that introduced - and occasionally threw away - conflicts that were much more interesting and organic.
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The sudden return of Geillis and her ruthless quest is, frankly, unearned. (Claire’s marriage to Frank was so tonally different from the globe-trotting adventures of the last five episodes that it might as well have belonged to a different season.) It’s even harder to pull that off in the season finale of “Outlander,” which had so much to do it sometimes seemed to strain against the demands of its own narrative. It’s always risky to bring a character back after a long time away and then immediately turn that character into a worthy foe.